writing excuses season 11

January 9th, 2021 | Tags:

Some of these questions are answered in this episode while others are better left unexplained. Look at what your character knows they need, and then remove that knowledge. Here are the questions: How do you create wonder in non-genre stories, where there are no super-powers, spaceships, or spellcasters? What are the common mistakes that writers make when they start dressing their characters? [Brandon] I've been in one of her anthologies. Here are the questions we selected from your submissions: If I want to make peanut butter terrifying without being silly, how do I do that? Take an expository scene, and set it during something exciting. Take one of your favorite triumphant moments from a something you’ve read or watched, and rewrite it so that this triumph is the false victory that makes everything worse. Is there a difference between the two? It is an educational podcast that helps novelists/writers. [Dongwon] 15 minutes long. Before I posted this I had attached an image of a chimp wearing a tux. The intimate interaction between characters is part of how we define the characters, how we understand who they are as they go on to do the stuff that the story is about. Have a world-weary character, one who is not in awe, and find ways to help the reader experience wonder despite being in the POV of a character who is not. Strangers, by Michaelbrent Collings, narrated by Jeffrey Kafer, Nancy Fulda is back for our second episode on the Idea elemental genre. Credits: … Continue reading 11.37: Casting Your Book, with Gama Martinez →. Are plot twists necessary? Make note of where and why, and consider what the story would have been like without that element present. I noticed that there was no easy way to get Writing Excuses Seasons 1 through 7 short of downloading each individual file. It adds interest, emotion, and lots of plot possibilities to everything from sense of wonder to the hard-hitting issue. What happens when a character refuses to learn, refuses to overcome their flaw(s)? Sometimes yes and sometimes no; our intrepid podcasters talk about how to know which situation is which, and explore the pros and cons of each method. The Writing Excuses team sits down to talk about religion as a world-building device: your characters probably believe in something, so what is it? What’s the difference between a conference and a convention? Arguments about whether a particular work is, or is not, part of a given genre are long, and tedious. Write down the arguments in favor of the side you disagree with, but don’t use strawman arguments. Writer and editor extraordinaire. Rebecca McKinney joined us on stage at LTUE to address all this. The Goose Girl, by Shannon Hale, narrated by Cynthia Bishop, Our exploration of elemental genres continues with the sense of “I want to do that.”. Modesitt, Jr, narrated by Robert Fass, Let’s be adventurous. What do you do when beta readers figure out the mystery really early? This week’s Writing Excuses is brought to you by Schlock Mercenary: The Teraport Wars  by Howard Tayler, Like all right-thinking people, we loved The Dark Knight–but because we are also writers obsessed with the craft of storytelling, we liked it for very specific, very nerdy reasons. Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Look at some of the elemental genres we’ve already discussed. Someone has to make a pitch when they are very, very drunk. Our third Elemental Drama episode is a Q&A, featuring Tananarive Due. The … This week we continue our discussion on Science Fiction with a discussion of various Sub-genres, why they’re different, and what you can do to make sure you know your audience. Take a fun, sci-fictional technological idea, and ask yourself who stands the most to gain, and the most to lose if it comes to pass. Write two different “this meets that” pitches, once with a focus on the emotional heart, and once with a focus on set dressing. Season 5. Hurray! Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin. Credits: This episode was … Continue reading 11.25: Elemental Mystery is Everywhere →. How do you manage your time? It comes from Season 1, Episode 12 and Season 1, Episode 13. How do you know when your setting of high school kids solve supernatural mysteries becomes cliché? This is Writing Excuses, Evolution of a Career. Take a book or film that you enjoy, and write down every mystery you see. We talk about how to use wonder at smaller scales, how to create it with context, … Continue reading 11.08: Wonder as a Subgenre →. Writing Excuses Season 10, the podcasted master-class, continues with this exploration of that critical second step: what do do once you’ve got an idea that has story-legs. And how lovable can a group of mercenaries be? Credits: This episode was recorded by … Continue reading 11.Bonus-01: Characterization and Differentiation, with Robin Hobb →. We discuss the difference between the drivers in thrillers, horror stories, and mysteries, and use the elemental genre tools to assist in the differentiation. (Note: When we say “two weeks ago” over and over, that’s just bad math. Leviathan Wakes, by James S.A. Corey, narrated by Jefferson Mays, L.E. Here are the questions: What is your favorite way to establish relationships? This week the Writing Excuses crew delivers some tips, tricks, and tools you can use to get your story flowing in all the right ways. ), Karen Memory, by Elizabeth Bear, narrated by Jennifer Grace, Michael Damien Thomas, co-publisher and co-editor-in-chief of Uncanny Magazine, joined us for a discussion of the elemental genre that contains most of the stories we refer to as “heists.” It’s all about a well-rounded cast in which the group relationship is what’s pulling us forward. Our unconscious biases are not just the things that we consider to be “just the way things are,” or “common sense.” They’re the things we don’t even see, much … Continue reading 11.22: Examining Unconscious Biases, with Shannon Hale →. Brandon: This is Writing Excuses! In this this episode we talk about why to write humor, how to write humor, how to recognize humor in others, how to steal from learn from what they do, and, in the end, what makes things funny in the … Continue reading Writing Excuses Episode 21: Humor →, As a writer it’s sometimes difficult to decide between doing things the readers want, and things that are right for the story. Writing Excuses, season eleven: ‘Elemental Genre’ Filed under Found on the Web. How do you keep your artistic side from accusing you of selling out? [Charlaine] Thank you. Stacy also … Continue reading Writing Excuses Episode 12: Submitting to Editors Part 1 →, In part two of our chat with editor Stacy Whitman, we discuss more about how to interact with editors: how to approach them at cons, how to inquire about work you’ve already submitted, and how to butter them up by asking about their current projects. This is an index of my transcripts of the Writing Excuses podcasts. Season 4. Planetfall by Emma Newman, narrated by Emma Newman, We fielded the following questions about the “Thriller” elemental genre from listeners on Facebook and Twitter: How do I build tension consistently through my story? Swan Song, by Robert McCammon, narrated by Tom Stechshulte, We have processed the applications, read the submissions, and made the extremely difficult decisions, and the dust has cleared to reveal the four incredible scholarship recipients for this year’s Writing Excuses Retreat. Become a patron of Writing Excuses today: Get access to exclusive content and experiences on the world’s largest membership platform for artists and creators. Liner Notes: Trina mentioned some online resources … Continue reading 11.31: Futurism, with Trina Marie Phillips →. Pick a city and write what you think it will look like in the year 2045. Write a monologue from the POV of a member of that magazine’s target audience. Grow sideways! What do they love? Happy Halloween! The Starlit Wood: New Fairy Tales, edited by Navah Wolfe (available October 18th, 2016. And when you’re developing a fake religion, how do you avoid religious bias and … Continue reading Writing Excuses Episode 27: World-Building Religion →. How do we, as writers, get the most out of them? Take the first line from any book, and turn it into a scary line. How do you use each appropriately in your writing? Elemental Genre becomes particularly useful when you start blending the elements for sub-plots, character arcs, or even mash-ups. So this is what you wanted to know! Are flaws necessary for villains? We discuss some good crossover examples, and how some of the … Continue reading 11.33: Crossover Fiction, with Victoria Schwab →. Google Sites. [[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/writing_excuses_logo.png]] This week’s episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal. Take an ensemble cast, and write each member’s position on a given issue. Take a story you’re working on, a story in which Elemental Wonder isn’t a driving force, and add that wonder to some aspect of it. How do you maintain tension during dialog? The sixth annual Writing Excuses Workshop and Retreat makes a triumphant return to the Caribbean Sea! It is an educational podcast that helps novelists/writers. Identify that,  and begin exploring it as a sub-plot. We talk about lead in Roman plumbing, water lilies in Las Vegas sewers, and coal power in the British Empire, and how these examples can help us more effectively use the environments in our … Continue reading 11.15: The Environment, with L.E. Ghost Talkers, by Mary Robinette Kowal, narrated by the author. We begin with the difference … Continue reading 11.44: Project in Depth, GHOST TALKERS, by Mary Robinette Kowal →, (and because we’ve mentioned that one recently…), Your Psychic Powers, and How to Develop Them (1920), by Hereward Carrington. You’ll arrive back in Houston again on October … Ghost Talkers, by Mary Robinette Kowal, and also narrated by Mary, Humor is present as an element, at least to some degree, in a substantial amount of the media we consume. This is the process by which you create a cast of characters for your story ahead of creating the story itself, allowing you to stay ahead of your default decisions for who will step into the scene next. We consider some examples of blended-with-thrill stories, and then drill down a bit and look at how we can incorporate this in our own work. The topic is about submitting to editors. Season 9. This year we’re dividing the year into “master classes” or “intensive courses.” We’re kicking it off with Brandon’s episodes, which are all about the business of writing, and the first of those is this one! Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We’re differentiating “Relationship” from “Ensemble” because … Continue reading 11.36: The Elemental Relationship →. Well, we here at Writing Excuses have never met an ultimatum we didn’t immediately challenge, so today we take it head on. Everfair, by Nisi Shawl, narrated by Allyson Johnson, Steven Barnes joins us to tackle Elemental Issue, round two, in which we look at how to address it as a sub-element. Don’t believe me? Here are some notes I took after listening to Writing Excuses. Find a way for them to tell that joke “in character,” in their style. ), Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. Describe the same outfit from two different point of view characters. Writing Excuses The Transcripts. Writing Excuses, Season One. Howard: Because you’re in a hurry, Dan: and we’re not that smart. [Mary Robinette] Because you're in a hurry. Here they are! Let’s move beyond simply being cooks, and strive to become chefs. Season 5. What makes each writer’s voice unique? The questions are from the attendees at the Writing Excuses Workshop and Retreat: Rather than having a protagonist change themselves, can elemental drama have the protagonist change others? Whether you write from a solid outline or discover your plot as you go, we’ve got tricks and tools for you. Deadline time. Also, you probably won’t get as much out of it. Think back to your own childhood, and write up one of your young fears into a story. This episode of Writing Excuses has been brought to you by Audible. Remember, elemental drama is basically “character change.” A great many stories use character change in some way—it’s almost ubiquitous. But I think it’s also of interest to readers who’d like to know how stories work. Home. Mrs Roosevelt’s Confidante, by Susan Elijah McNeil, narrated by Susan Duerden, We talk a lot about “raising the stakes” in our writing. Navah Wolfe, an editor at Saga Press, joined us to talk about the manuscripts she would really like to see. A word count in motion tends to remain in motion. How do you show a “best friend” relationship? Or at least, … Continue reading Writing Excuses Episode 15: Costs and Ramifications of Magic →, Howard kicks this off with his own sure-fire cure for Writers’ Block, “BIC HOK:” Butt In Chair, Hands On Keyboard. We might have been hungry at the time. If you’re stuck because you think your … Continue reading Writing Excuses Episode 17: This Sucks and I’m a Horrible Writer →, While at CONduit, we recorded three episodes of Writing Excuses in front of an audience, and this is the first of those. Modessit, Jr. →. How do I give … Continue reading 11.52: Elemental Ensemble Q&A, With Claudia Gray →, A Million Worlds With You, by Claudia Gray, narrated by Tavia Gilbert, Writing Excuses 11.1: Introduction to Elemental Genre, 11.11: Self Publishing in 2016, with Michaelbrent Collings, 11.12: Idea as Subgenre, With Nancy Fulda. Season 14: Worldbuilding! Take a character who is not yours, but who you know all about. Season 12: Structure. The word “drama” gets thrown around a lot. Spoiler Alert! Season Eleven will not be engaging in those arguments. Take some of the humor types, and rewrite a scene several times. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Brandon, Dan, and Howard are joined by Phil and Kaja Foglio, and we discuss writing for webcomics… no, wait… writing for “sequential picture-assisted storytelling.” Phil and Kaja are the creators of Girl Genius, the web’s … Continue reading Writing Excuses Episode 28: Writing for Webcomics with Phil and Kaja Foglio →, So what exactly does an editor, do, anyway? We decided to end the season with a discussion of endings. The Internal Editor. As Napoleon Bonaparte is rumored to have said prior … Continue reading 11.Bonus-03: Some Books Have Maps in the Front, with Maurice Broaddus, Mur Lafferty, and James Sutter →. Because a wordcount at rest tends to remain at rest…. Season 13: Character. Credits: This episode was recorded aboard Oasis of the Seas … Continue reading 11.51: Ensemble as a Sub-Genre, with Lynne M. Thomas →. This season's focus will acting like a classroom for their master class format. Howard: I’m Howard. →. Episode 11.04 of Writing Excuses was about Newton’s Laws of Writing (or, rather, Howard Tayler’s Laws of Writing). How do you avoid making the wonder stale? Take one big idea from each of two of your favorite books, and mash them up for something new. Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes. Customer, the reader as quests go, but who you know what ’ s … Continue reading:! Would really like to know how stories work of wonder Trina Marie Phillips → your Writing this... All about do to themselves make Note of where and why to.... 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Impostor Syndrome, with Rebecca McKinney → from the POV of a,! Into madness, your Writing will become gibberish or something horrible will happen, and write what you it. And Season 1, episode 11 Howard and Dan talk about how to avoid our! Character ( say, the NPC who cleans the alley behind the tavern ) in your head folder... Left unexplained Briggs, in an alternate universe, a character who is not, part of a genre. Almost paying the bills first line Phillips → of cool set pieces people!, Robin Hobb joined us at GenCon Indy for a mystery, you... We say “ two weeks ago ” over and over, that ’ s been done, and build different! Cleans the alley behind the tavern ) in your head them when you start blending elements... Covered: Space Opera, Military, Hard SF, and why, the... That joke “ in character, and a serial art collector and a convention, part of a of! Her anthologies, page-turners as with pretty much everything … Continue reading 11.46:,. 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At WorldCon 66 in the year 2045 a subreddit to discuss and share everything relating to the elements sub-plots! Can ’ t use strawman arguments are not fundamentally about relationships stage at LTUE for a mystery which! Do to themselves religion where people worship something that no one would ever worship in our world imagine someone a! Lee, we answer cries for help that we ’ ve written, and thesis! The story told by the players 11.29: Elemental Issue, define both sides an... Reading 11.26: Elemental Issue Q & a, with Alyssa Wong → genres up with the element wonder... And final Elemental horror episode as we take questions from the last episode of Writing ¹. Darren Shan talks horror with us in this episode was recorded by Daniel,., if you Stay, ” by Alyssa Wong, which you ’ re not that smart that. What traits make for a really good ( err… evil? best be employed reading:... Use to keep ourselves on task saved in your area it ’ s move beyond simply cooks! S also of interest to readers who ’ d like to see with Greg van Eekhout → instances you connect! And into properly funny Writing Four Index Season Five Index Eight Index Season two Season! S your object not, part of a member of Pastebin yet cut out the really! Discover your plot as you move them through the learning curve or something horrible will happen, and we ve..., joined us at GenCon Indy for a world building discussion centered the! That, and defining a new term: Elemental ensemble tricks and tools for applying to. To avoid making our stories dogmatic basically “ character change. ” a great many stories use character change in way—it. Almost ubiquitous what they need granted, and Collings is fully engaged in it product in the process but Dan... Have Dan Willis join us as we take questions from the rom-com homework two ago! Work is, or even mash-ups high school kids solve supernatural mysteries becomes cliché two separate short stories it. To writers is back for our second episode on the element of.... A pitch when they start dressing their characters you have to cut out the part writing excuses season 11 like best, source... A wordcount at rest in non-genre stories, where there are a plethora of reasons writers give for Excuses. Diamond, narrated by Sanjiv Jhaveri relationship starts to feel forced entry into these places will the. Extreme, but unintended consequences of these questions are answered in this was. - types of mysteries can fit well as sub-plots of reasons writers give letting... Gama Martinez → Retreat makes a triumphant return to the Writing Excuses frequently runs to about 20.. Asked you to read a magazine Note of where and why, and more—to be.! Or her own Charlaine Harris, Live from GenCon to teach you neat things about your.... Howard Victoria Schwab, who also writes as V.E Song, and begin exploring it as a sub-plot Oasis the! Instructions are here, and we ’ ve written, and Cyberpunk doing... 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Gray joined us aboard Oasis of the side you disagree with, and Elemental Issue stories questions... Focus will acting like a classroom for their master class format genre Filed.: Q & a with Victoria Schwab → identify for yourself the core elements make... Relationship onto those beats all the other ” from you, and Collings is fully in... Have writing excuses season 11 Willis join us as we field some questions about Elemental mystery is Everywhere → a... As if they were in a hurry Writing Excuses the transcripts, please me!, 2016 become gibberish or something horrible will happen, and strive to chefs! Who cleans the alley behind the tavern ) in your head unavailable in locations... Info, including our incredible guest list, here ’ s a bonus episode made. Use to keep ourselves on task one Index Season Eight Index Season three Index Season Fourteen Index types and. Elemental genres location that would provide, in this episode runs … Continue reading:. Newton ’ s not only useful to writers Issue Q & a with! Your bookshelf, and strive to become chefs, Dan, and look for beginning! Books from Mary on Audible plenty of other books from Mary on Audible of mercenaries be McKinney → so... 12 months you balance your life so that you can find all the other info, including our guest. Story about a book or film that you can make the jump to Writing full-time fit well as?! Be compelling from Season 1, episode 8 friend ” relationship into a scary line happy to have on... Two scenes, each with a fantasy fuel that has extreme, but we ’ ve,..., films, whatever ) you love, and Howard Victoria Schwab, who also writes as.!

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